Why be IN when you could be OUT.
Monkey Business . 2000 . album
středa, října 03, 2012
Imagination
° occasionally ° daily ° all the time ° ° °
I fear sometimes I am a delusional fool with my thoughts, with my imaginations in my mind. Always I feel them around me. Always I think deeply about them. Always I make them bigger than they are. Always they are with me. Always I compare them with the reality. Always they are different. Am I limited with them or they make me more wider overview?
This is all I really need. Fill in my thoughts with the imaginations.
This is all I really need. Fill in my thoughts with the imaginations.
° REduce ° REuse ° REcycle
Venice biennale 2012 - from 29th August to 25th November 2012
The 13th International Architecture Exhibition, directed
by David Chipperfield and titled Common Ground.
'architecture. possible here? home-for-all'
° Venice 2012 ° International architecture biennale
commisioner toyo ito explains the concept behind the pavilion:
'one characteristic of 'home-for-all' is the way in which those 'making' the facilities and those 'living' in the join together to discuss the project during the design and building processes... why a building is made, and for whom - have been forgotten. a disaster zone where everything is lost offers the perfect opportunity for us to take a fresh look, from the ground up, at what architecture really is.'
Interview Toyo Ito: http://vimeo.com/48937196
for the japan national pavilion exhibit in the 2012 international architecture biennale in Venice, commisioner Toyo Ito presents young japanese architects Kumiko Inui, Sou Fujimoto, Akihisa Hirata and photographer Naoya Hatakeyama,
'architecture. possible here? home-for-all', a proposal to offer housing solutions for all the people who lost their homes in the great east japan earthquake of 2011, specifically in the city of Rikuzentakata.
'architecture. possible here? home-for-all'
responds to architecture in the modern era by re-evaluating its aesthetic and formal definition within the context of a site currently undergoing a revitalization. a series of potential projects are displayed atop bases made of solid wood planks. natural timber columns seem to hold the pavilion from the open courtyard below, echoing the the schemes of each dwelling anchored amongst a series of vertical pillars. full-size panoramas of the host city after the tsunami create the setting as a backdrop to the environment.
'architecture. possible here? home-for-all', a proposal to offer housing solutions for all the people who lost their homes in the great east japan earthquake of 2011, specifically in the city of Rikuzentakata.
'architecture. possible here? home-for-all'
responds to architecture in the modern era by re-evaluating its aesthetic and formal definition within the context of a site currently undergoing a revitalization. a series of potential projects are displayed atop bases made of solid wood planks. natural timber columns seem to hold the pavilion from the open courtyard below, echoing the the schemes of each dwelling anchored amongst a series of vertical pillars. full-size panoramas of the host city after the tsunami create the setting as a backdrop to the environment.
commisioner toyo ito explains the concept behind the pavilion:
'one characteristic of 'home-for-all' is the way in which those 'making' the facilities and those 'living' in the join together to discuss the project during the design and building processes... why a building is made, and for whom - have been forgotten. a disaster zone where everything is lost offers the perfect opportunity for us to take a fresh look, from the ground up, at what architecture really is.'
Interview Toyo Ito: http://vimeo.com/48937196
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